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"Ut-Queant Laxis"-The Ancient Hymn and Original 'Solfeggio' of music notation

Sing - Do Re Mi Fa So La...

Initially written by Paolo Diacono as a hymn to Saint John the Baptist (ca 720 - 799), the Latin words "Ut queant laxis, Resonare fibris, Mira gestorum, Famuli tuorum, Solve polluti, Labii reatum," translate to "So that Your servants may sing at the top of their voices the wonders of  Your Acts, and absolve the fault from their stained lips."

1. UT - Queant Laxis
2. RE - Sonare Fibris
3. MI - Ra Gestorum
4. FA - Muli Tuorum
5. SOL - Ve Polluti
6. LA - 0 Biireatum

Using the syllables ut, re, mi, fa, sol, and la as names for the six tones, C to A, an Italian monk named Guido d'Arezzo (990-1050) created the system of Solmization, a system of using syllables, especially sol-fa like syllables, to represent the tones of the scale (known as the Guido System). Later in history 'Ut' was replaced by the more easily singable 'Do,' and another syllable, si or ti, was added at the end, giving the scale of seven syllables called do-re-mi-fa-sol-la-ti, which forms the present basic system of singing names for the tones of the scale. The syllable sol was later shortened to 'So,' making all of the syllables uniform in spelling and all ending with a vowel. This allowed for ease of remembering for faster learning and making it easy to do 'sight singing', or being able to instantly sing new music in tune from reproduced standardized sheet music.

 Solmization is the act or a system of using syllables, especially sol-fa syllables, to represent the tones of the music scale.

Solfegio is the system of arranging the scale by the names do, re, mi, fa, sol, la, si, by which singing is taught; it is thee basic singing exercise based upon these core syllables.

The Original 'Solfeggio' is the"Ut-Queant Laxis"

"Ut queant laxis resonare fibris Mira gestorum famuli tuorum, Solve polluti labii reatum, Sancte Iohannes"

In short, it is the beginning base value of music understanding...sing out loud and then think...Do Re Mi Fa So La!

[14] One could put the crux of the matter as follows. Was "UT" a pitch class for Bach, in the way that "DO" is for us in modern solfege? Or would Bach have heard his hexachords positioned in register along an extended gamut--in which case there could be no such thing as a high "UT"?

[15] All this taken into account, the fact remains that even the mutated versions of the Subject do reference the entire natural D hexachord--taking the final low "(UT)" into account--and they do not reference the entire soft G hexachord, no matter where one mutates. In that sense, the Subject, regarded as a hexachordal structure, does saturate a tonal space. The weight of the Subject as a whole definitively goes on the D hexachord, as opposed to the G hexachord. This is in decided contrast to the ambivalent structure of the Subject as a production of common-practice tonality, where we can equally well hear the theme proceeding I - V in G major, or IV - I in D major.

[16] To sum up: I am (at present) happy to hear the Subject by itself "in D," when I understand the "D" at issue to be the UT of a pertinent hexachord, rather than the tonic note of a common-practice tonality. And then, so far as such tonality is concerned, I hear the fugue's continuation "in the key of D" as a matter of rhetoric--not pitch content--when I hear the Answer come in on the note A. (The rhetoric of the real Answer in this connection was discussed toward the end of [5] above.) The idea that the Subject is "missing" some C-or-C# now seems to me relatively tangential.

David B. Lewin Harvard University, Music Department, Cambridge, MA 02138 http://www.societymusictheory.org/mto/issues/mto.98.4.4/mto.98.4.4.lewin_essay.html

FROM Da Dai Li Gi the Ancient Chinese Book of Customs

"One must examine the sounds to understand the tones; one must understand the tones to understand the music; one must understand the music to understand the customs (laws). In this way, the path to order is made perfect. One cannot talk about tones to those who do not understand the sounds. One cannot talk about music to those who do not understand the tones. He who understands music will thus penetrate the secrets of the customs. He who has experienced both customs (laws) and music possesses life. Life is experience."

FROM L Bu We's Spring and Autumn:

"The origins of music lie far back in the past. Music arises from Measure and is rooted in the great Oneness. The great Oneness begets the two poles; the two poles beget the power of Darkness and of Light.

When the world is at peace, when all things are tranquil and all men obey their superiors in all their courses, then music can be perfected. When desires and passions do not turn into wrongful paths, music can be perfected. Perfect music has its cause. It arises from equilibrium. Equilibrium arises from righteousness, and righteousness arises from the meaning of the cosmos. Therefore one can speak about music only with a man who has perceived the meaning of the cosmos.

Music is founded on the harmony between heaven and earth, on the concord of obscurity and brightness.

Decaying states and men ripe for doom do not, of course, lack music either, but their music is not serene. Therefore, the more tempestuous the music, the more doleful are the people, the more imperiled the country, the more the sovereign declines. In this way the essence of music is lost.

What all sacred sovereigns have loved in music was its serenity. The tryants Giae and Jou Sin made tempestuous music. They thought loud sounds beautiful and massed effects interesting. They strove for new and rare tonal effects, for notes which no ear had ever heard hitherto. They sought to surpass each other, and over-stepped all bounds.

The cause of the degeneration of the Chu state was its invention of magic music. Such music is indeed tempestuous enough, but in truth it has departed from the essence of music. Because it has departed from the essence of real music, this music is not serene. If music is not serence, the people grumble and life is deranged. All this arises from mistaking the nature of music and seeking only tempestuous tonal effects.

Therefore the music of a well-ordered age is calm and cheerful, and so is its government. The music of a restive age is excited and fierce, and its government is perverted. The music of a decaying state is sentimental and sad, and its government is imperiled."

Joseph Knecht once spoke concerning the nature of classical music:

"We consider classical music to be the epitome and quintessence of our culture, because it is that culture's clearest, most significant gesture and expression. In this music we possess the heritage of classical antiquity and Christianity, a spirit of serenely cheerful and brave piety, a superbly chivalric morality. For in the final analysis every important cultural gesture comes down to a morality, a model for human behavior concentrated into a gesture. As we know, between 1500 and 1800 a wide variety of music was made; styles and means of expression were extremely variegated; but the spirit, or rather the morality, was everywhere the same. The human attitude of which classical music is the expression is always the same; it is always based on the same kind of insight into life and strives for the same kind of victory over blind chance. Classical music as gesture signifies knowledge of the tragedy of the human condition, affirmation of human destiny, courage, cheerful serenity. The grace of a minuet by Handel or Couperin, the sensuality sublimated into delicate gesture to be found in many Italian composers or in Mozart, the tranquil, composed readiness for death in Bach - always there may be heard in these works a defiance, a death-defying intrepidity, a gallantry, and a note of superhuman laughter, of immortal gay serenity. Let that same not also sound in our Glass Bead Games, and in our whole lives, acts, and sufferings." (p. 34)

Musical training is a more potent instrument
than any other because rhythm and harmony find their way into the secret
places of the soul.

After silence that which comes nearest to
expressing the inexpressible is music. Aldous Huxley (1894-1963).

Only the flint of man's mind can strike fire in music.  Ludwig van Beethoven(1770-1827).

Music is in a continual state of becoming. Aaron Copland (1900-1990).

Music is a cumulative art. It is a chain of
sounds through time, each sound taking its meaning from those that have gone
before. It is not the art for amnesiacs.  William Mayer.

Do you know that our soul is composed of harmony? Leonardo da Vinci (1452-1519).

If only the whole world could feel the power of harmony. Wolfgang Amadeus Mozart (1756-1791)

Music is the universal language of mankind. Henry Wadsworth Longfellow (1807-1882).

It must also be constantly kept in mind that the atonement is not the cause but the consequence of God's love to guilty men (John 3:16; Rom. 3:24, 25; Eph. 1:7; 1 John 1:9; 4:9). The atonement may also be regarded as necessary, not in an absolute but in a relative sense, i.e., if man is to be saved, there is no other way than this which God has devised and carried out (Ex. 34:7; Josh. 24:19; Ps. 5:4; 7:11; Nahum 1:2, 6; Rom. 3:5). This is God's plan, clearly revealed; and that is enough for us to know.

"He (God) shall call to the heavens from above, and to the earth, that He may judge His people. Gather My saints together unto Me; those that have made a covenant with Me by sacrifice" (Ps. 50:4-5).

1 Thessalonians 5:2 - For yourselves know perfectly that the day of the Lord so cometh as a thief in the night.

Psalms 98:9
Before the LORD, for He is coming to judge the earth;
He will judge the world with righteousness
And the peoples with equity.

The Meek shall inherit the earth...Do Re Me Fa So La...

"For the Son of man shall come in the glory of his Father with his angels; and then he shall reward every man according to his works" (Matt. 16:27).

Zechariah 14 :1 Behold, a day is coming for the Lord when the spoil taken from you will be divided among you.

"All authority in heaven and on earth has been given to me. ¹⁹ Go therefore and make disciples of all nations, baptizing them in the name of the Father and of the Son and of the Holy Spirit, ²⁰ teaching them to observe all that I have commanded you; and lo, I am with you always, to the close of the age."

"The Prince of the Power of the Air" (Ephesians 2:2)

Definition: PARABLE

(Greek parabole), a placing beside; a comparison; equivalent to the Hebrew 'mashal,' a
similitude. In the Old Testament this is used to denote (1) a proverb (1 Sam.
10:12; 24:13; 2 Chr. 7:20), (2) a prophetic utterance (Num. 23:7; Ezek. 20:49),
(3) an enigmatic saying (Ps. 78:2; Prov. 1:6). In the New Testament, (1) a
proverb (Mark 7:17; Luke 4:23), (2) a typical emblem (Heb. 9:9; 11:19), (3) a
similitude or allegory (Matt. 15:15; 24:32; Mark 3:23; Luke 5:36; 14:7); (4)
ordinarily, in a more restricted sense, a comparison of earthly with heavenly
things, "an earthly story with a heavenly meaning," as in the parables of our
Lord. Instruction by parables has been in use from the earliest times. A large
portion of our Lord's public teaching consisted of parables. He himself
explains his reasons for this in his answer to the inquiry of the disciples,
"This is why I speak to them in parables, because seeing they do not see, and hearing they do not hear, nor do they understand (Matt. 13:13-15; Mark 4:11, 12; Luke
8:9, 10).

The Secret Solfeggio Frequencies: Sound Vibration(hz) Rates for Creation and Destruction:

*(From Pages 166 & 167): From: "Healing Codes for the Biological Apocalypse" Pages 166 & 167
by Dr Leonard Horowitz and Dr Joseph Puleo

"When deciphered using the ancient Pythagorean method of reducing the verse numbers to their single digit integers, the codes revealed a series of six electromagnetic sound frequencies that correspond to the six missing tones of the ancient Solfeggio scale."

1. Ut(Do) = 396 = 9

2. Re = 417 = 3

3. Mi = 528 = 6

4. Fa = 639 = 9

5. Sol = 741 = 3

6. La = 852 = 6

"In physical terms, each numerical frequency possesses a color and sound simultaneously. Every organ and gland responds to frequencies of sound, color, and homeopathic remedies. Some of our bodily functions actually have similarities to the planet Earth. For example, the Earth turns 1 degree every 4 minutes, which is the same as our heartbeat to breath ratio -- 4 pulse beats per breath. In further exploration, the rotation of the Earth, once every 14 hours, corresponds to the numerical hertz frequency of the musical note G and its octaves, which in turn corresponds to the frequency of the color orange-red, and this in turn corresponds to the cell's DNA resonance at a wavelength of 351/702 Nanometers. (One nanometer is one billionth of a meter.)

German physician Bodo Koehler, M.D., conducted extensive research, which has shown that musical notes have a direct correlation to color and to specific gemstones. For example, the color red corresponds to the frequency of the musical note C and the gemstone Bloodstone. The color purple correlates to the frequency of 432 Hz. the musical note A and the gemstone Aquamarine. In Europe, test were conducted on unhealthy cells using sound frequencies. The unhealthy cells were exposed to many frequencies but the frequency that produced the most positive healing effect on the cell was 432 Hz. Testing indicated that this frequency eliminated certain viruses from the cell itself.

"These original sound frequencies were apparently used in the great hymn to St. John the Baptist that, along with many Gregorian chants, were lost centuries ago according to church officials. The chants and their special tones were believed to impart spiritual blessings when sung in harmony...

Right Now, Just Take the Time to Sing - DO RE MI FA SO LA !!!!!!!!!!!

Ut queant laxis resonare fibris Mira gestorum famuli tuorum, Solve polluti labii reatum, Sancte Iohannes.

"The first note, "UT-quent laxis," is defined in Webster's Dictionary as "the Gamut of dramatic emotion from grief to joy," and "the whole series of recognized musical notes." It has a frequency of 396 cycles per second, and is also associated with a "magnetic field strength equal to 105 power gauss," or 100,000. The second tone, "RE", short for "resonare fibris" or resonance, also correlates mathematically to 144,000. The third note, frequency 528, relates to the note "MI" on the scale and derives from the phrase "MI-ra gestorum" in Latin meaning "miracle." Stunningly, this is the exact frequency used by genetic biochemists to repair damaged DNA the genetic blueprint upon which life is based." -Excerpted from Dr. Puleo's book, "Healing Codes for the Biological Apocalypse," which has contributions by Dr. Leonard Horowitz, based upon Dr. Puleo's research.

What is the Meaning Behind the Solfa Syllables and the universal frequencies?

Ut - preparatory tone to prepare the body, soul, and spirit to receive the next five tones (in order to receive)
Re - tone to begin resonance with the Divine (resound or balance frequencies)
Mi - tone to begin healing and extraordinary changes (miracles)
Fa - tone to seek out limitations imposed upon us (slaves to mindsets)
Sol - tone to loosen, release, unbind, untie, open, free (solve, resolve)
La - tone to open the vocal chords (release the lips)

It is so that we can all start easily singing in harmony right now.

Do(Ut) Re Mi Fa So La

For the sake of comparison [or confusion], when Bailey charts the "three great planetary centers" (_The Destiny of Nations - The Influence of the Rays Today_, p.23-24) she lists "Humanity" (Lucifer's domain) as the first "expression of divine livingness", having been manifested "in the first solar system"; chronologically this makes Lucifer the senior partner in the Logos.  Then "Hierarchy" (Maitreya's responsibility) appeared "in the second solar system" (our present era) but is yet to "come into full manifestation upon the physical plane". "Shamballa" (Sanat's rule and "the directing center for the Hierarchy") is not due to manifest until "the next solar system"; however, for reasons unexplained, it is only now that the three "meet simultaneously at various stages of livingness."  Even more curious, "it is only through human beings that these centers can ever come into true functioning activity."  [From this it may be concluded that puny, unascended man is actually in control of the mighty Logos, who is/are dependent on his invitation and involvement in order to truly function.

Bailey indicated four foundational concepts that must be absorbed by schoolchildren: simplicity (guaranteed to "kill" materialistic thinking), cooperative goodwill, loving understanding and world citizenship.  The child is to be taught to harness his/her "energies" of life and knowledge in the service of "love".  Love is defined here as "group relationship, in order that knowledge should be subordinated to the group need and interests." This is achieved by reorienting the educational goals themselves, in three specific ways: (1) The child is to be taught "from infancy that all that he... is being taught is with the view to the good of others more than of himself."  History is no longer studied from the standpoint of "facts" or "achievement" but of "racial growth in consciousness".  This leads to a consciousness of one's "responsibility". (2) All of life is qualitatively the same - not only all human life, animate life, or even all metabolic life, but "the total life pulsing throughout all forms, all kingdoms in nature, all planets, and the solar system". This leads to a consciousness of "relationship" and "blood Brotherhood".  (3) Everyone is born to "service", a lesson to be reinforced continually from earliest years through vocational decisions. The end result will be to "link head, heart and throat into one unified and functioning agency," in individual and group imitation of the Planetary Logos. [http://searchlight.iwarp.com/articles/na_gods.html]

PLAE DO RE MI FA SO LA

What really  is Har'mony'?

The pinnacle of power in today's world is the power to issue money. If that power can be democratized and focused in a direction which gives social and ecological concerns top priority, then there may yet be hope for saving the world." - A quote from Thomas H. Greco, Jr.

"Our objective should be to create exchange media issued on the basis of human service?and sharing? rather than acquisitiveness and domination."
-Greco

"...the very process of earning credits knits groups together... They begin having pot-luck lunches; and they begin forming neighborhood crime watch things, and they begin looking after each other and checking in; and they begin to set up food bank coops. (It) seems to act as a catalyst for the creation of group cohesion in a society where that kind of catalyst is difficult to find..."(84)

"It seems axiomatic that whenever a government fails to provide an adequate supply of currency or coin to maintain commercial trade, the people will step in to provide their own to fill the vacuum."
-- Ralph A. Mitchell and Neil Shafer(33)

"Every piece of money is essentially a credit instrument, an acknowledgement of debt, accepted in the market as a medium of exchange, and that its value depends solely on the value of the credit on which it is based."(85)

"I like the idea of local people putting money directly into each others' pockets. Big industry is nothing to depend on; they're closing down and moving out. I prefer to support people I know and trust."
-- Jenny(64)

"Money is an information system we use to deploy human effort."
-Michael Linton

"Money will decide the fate of mankind"?

Do = 396 = 9

Re = 417 = 3

Mi = 528 = 6

Fa = 639 = 9

Sol = 741 = 3

La = 852 = 6

Mark 4:20 - But those that were sown upon the good soil are the ones who hear the word and accept it and bear fruit, thirtyfold and sixtyfold and a hundredfold."
 

(The calculations is: A day consist of 86,400 seconds. A tropical year has 365,242 days = 31,556,925,9747 seconds. The reciprocal value multiplied by 2³² = 136,10221 Hz.)

This property is true- by pointing out that multiplication is repeated addition and division is like repeated subtraction. We have already shown (or at least made it intuitively clear) that addition and subtraction of negative numbers is no different than with positive numbers.

It is true, also, that the chants used at Milan were styled, in honour of St. Ambrose (called the "Father of Church Song"), the Ambrosian Chant. But it is not known whether any collection of the chants had been made before that of St. Gregory, concerning which his ninth-century biographer, John the Deacon, wrote: Antiphonarium centonem compilavit. The authentic antiphonary mentioned by the biographer has not as yet been found. What was its character? What is meant by cento? In the century in which John the Deacon wrote his life of the Saint, a cento meant the literary feat of constructing a coherent poem out of scattered excerpts from an ancient author, in such wise, for example, as to make the verses of Virgil sing the mystery of the Epiphany. The work, then, of St. Gregory was a musical cento, a compilation (centonem ᅅ compilavit) of pre-existing material into a coherent and well-ordered whole. This does not necessarily imply that the musical centonization of the melodies was the special and original work of the Saint, as the practice of constructing new melodies from separate portions of older ones had already been in vogue two or three centuries earlier than his day. But is it clear that the cento was one of melodies as well as of texts? In answer it might indeed by said that in the earliest ages of the Church the chants must have been so very simple in form that they could easily be committed to memory; and that most of the subsequently developed antiphonal melodies could be reduced to a much smaller number of types, or typical melodies, and could thus also be memorized. And yet it is scarcely credible that the developed melodies of St. Gregory's time had never possessed a musical notation, had never been committed to writing. What made his antiphonary so very useful to chanters (as John the Deacon esteemed it) was probably his careful presentation of a revised text with a revised melody, written either in the characters used by the ancient authors (as set down in Boethius) or in neumatic notation. We know that St. Augustine, sent to England by the great Pope, carried with him a copy of the precious antiphonary, and founded at Canterbury a flourishing school of singing. That this antiphonary contained music we know from the decree of the Second Council of Cloveshoo (747) directing that the celebration of the feasts of Our Lord should, in respect to baptism, Masses, and music (in cantilen modo) follow the method of the book "which we received from the Roman Church". That this book was the Gregorian antiphonary is clear from the testimony of Egbert, Bishop of York (732-766), who in his "De Institutione Catholic" speaks of the "Antiphonarium" and "Missale" which the "blessed Gregory sent to us by our teacher, blessed Augustine".

Guidonian hexachord, by Stefano Mengozzi  http://www.private.uni-jena.de/~x1kofr/abstracts/stefano_mengozzi.htm

In his Treatise of Harmony (1730), John Pepusch offers a detailed discussion of Guidonian solmization in response to contemporary attempts to dismiss that system as convoluted and unnecessary in musical practice. But
Pepusch⅒s structuralist reading of Guidos hexachordal theory is questionable: he describes the Guidonian hexachord as a segment of letters (such as CDEFGA), rather than syllables (ut, re, mi, fa, sol, la), thereby conflating two scalar constructs that, albeit identical in intervallic patterns, had quite different origins and functions for medieval and Renaissance authors.
As the method of Guidonian solmization came increasingly under attack, beginning in the 15th century, so the structuralist view of Guidos hexachordal theory gained ascendancy in contemporaneous historical and analytical studies. Both early and late defenders of the system were naturally led to overemphasize its foundational significance (and at times its spiritual/religious connotations), in an attempt to save it from being overhauled. The birth of music historiography in the early modern era added new grist to the mill: as the concept of "ancient music" became solidified, the structuralist view of the hexachordal system proposed by authors such as Pepusch served the purpose of conferring theoretical grounding to the music-historical notion of a dichotomy between "ancient" and "modern".
The question of the relevance of Guidonian theories to various aspects of musical practice has received considerable scholarly attention. Equally important, however, is the issue of the historiographical assumptions that have shaped the understanding of those theories at least since the 18th century.
 

Now, what do you suppose happens when we take two frequencies, f1 = 1 unit, and f2 = a frequency that is Phi times larger,
or f2 = 1.6180339, and modulate them-- nonlinearly mix them-- in an AM modulator? The two new frequencies are the sum,
which is 2.6180339-- hey, that's the same as Phi^2, and the difference, which is .6180339-- hey, isn't that Phi to the -1th
power? Yup, it is. So we stumble upon the very interesting fact that powers of Phi are automatically generated whenever we
"heterodyne" or modulate two frequencies that are related by a ratio equal to Phi.

-Dan Winter http://www.zayra.de/soulcom/physicsofphi/PhysicsofPHI.html

"transcendental means a decimal number that cannot be defined by a ratio of
two integers, it is not finite, not linear, like pi, no matter how many decimal places you go, there are always more you can never have an exact value for pi
same with phi
try it on mathematica
1/2 +- sqrt5 /2 (not -1/2)
you can carry the decimal places out forever

if you are interested look at
www.mathsoft.com/asolve/constant/gold/gold.html
and
www.vashi.net/mceinc/derivphi.htm"

This is a geometry which permits waves to bounce down into a spiral vortex, infinitely maintaining the ratio between the legs of each "bounce" and the angle theta of each reflection off the curve. Think of light reflecting infinitely into the curve of a nautilus shell, never once finding itself bouncing back on itself in any way but with CONSTRUCTIVE interference.

Thinking in a kind of waves among jello, compression enabled destructive intrference minimized,

this helps us to SEE that this geometry is "IDEALIZED TRANSLATION OF VORTICITY".

Translation of vorticity means, the inertia in circular motion, finds THE path to moving into a line, from motion in a circle. Remember, the inertia stored by waves moving in a circle is our only physical definition and way of measuring mass. Therefore, what we are describing here is literally the only permissive path to move from matter to energy and back. We will see why this is then the only path from electromagnetism to gravity, because the wind we feel into the vortex of this what we shall call permission to implode, IS gravity. We will see this proven when we create a scalar wave, in the geometry of PHI, the Golden Mean, which creates the most perfect magnetic monopole, Einstein's key to gravity.
 

The Golden Mean Ratio establishes the path mathematically, among waveforms, of what is called "Perfect Damping". This means that the ratio by which you would self cancel wave inertia into literally "a still point", is established by PHI the Golden Mean. Now let us consider, what damping into a "still point" actually is. Visually, and as a wave function, it is literally a "spin path to the zero point". The reason "zero point energy" is thought to be infinite, is because spin density is potentially virtually infinite as zero frequency is approached. Spin density equals information density. That is why fractal data is infinitely compressible. Because the spin and information density is infinitely compressed at the zero point, the energy required to move the inertia of that spin wave pattern and information, also approaches ZERO! This means that infinite information becomes "shareable" with zero work or energy investment. This is why data compression (implosion) is the key to every computer information revolution. And later why this Phi recursion fractality in the EKG harmonics at the moment of compassion, proves that love is the ultimate solution to THE data compression issue.

Notice, in the above wave form which looks like a caddeuceus, that the ratio of BOTH each adjacent wave length AND wave amplitude is PHI (.618033989...). What is most important to realize, is that when this wave ratio of PHI exists at the nodes between wave fronts, not only does the wave length interference pattern become infinitely constructive (as opposed to destructive interference), BUT ALSO THE WAVE VELOCITY MODES ADD AND MULTIPLY WITH INFINITE CONSTRUCTIVITY. THIS IS WHY THE HERE DEPICTED PENTAGONAL SYMMETRIES, GEOMETRY OF ALL LIFE AND RECURSION, ARE THE ONLY PERMISSIBLE DOORWAY THROUGH THE SPEED OF LIGHT BARRIER. AND THERFORE, THE TIME BARRIER. http://www.zayra.de/soulcom/physicsofphi/PhysicsofPHI.html

Einstein's own equation of relativity gets very close to this Unified Field in and of itself. Almost everyone knows that the equation reads as follows: Energy equals Mass times The Speed of Light (C) squared, or E=MC². What Einstein hoped to do was to solve this equation for the Speed of Light alone. He believed that the value for mass could eventually be substituted as a measurement of light. If this was done, then all of Creation could be expressed as being made up of Pure Light -- mass and energy entirely a function of Light. This is the true "unified field" that Einstein was searching for. 

As amazing as it must sound, Cathie solved this problem. In the Grid, he discovered an expression of Mass that was phrased in terms of the Speed of Light. (At the end of this chapter, we will print his solution. Further information can be found in his publications.) However, even though Cathie "cracked the code" of the Unified Field Theory, what is actually more interesting and important to us is the discoveries that he made along the way. As Cathie approached the solution to the puzzle, he unearthed many fundamental discoveries that forever change our understanding of "sympathetic vibrational physics," and the precise numbers involved in studying these universal vibrations that determine the behavior of "zero-point energy" or aether.

The Speed of Light as we now know it is measured in seconds. One of Cathie's initial discoveries involved coming up with a different way to measure time, in order to equate it more precisely with the harmonics of the Earth's Grid itself. Right now, our system of seconds works quite well for us, counting in a 60-based system. We have a day of 24 hours. Cathie discovered that the harmonics of the math for the Grid become much simpler if we have a day of 27 "grid hours" instead of our usual 24. This is simply done by factoring in an 8 to 9 ratio- in other words, for every eight hours in our current system, there are nine hours in the "harmonic" system. Since this is a very simple adjustment, it certainly is possible that this is a natural aspect of the Universe- in other words, both the 8-based system and the 9-based system will show different types of harmonics. Eight is the basis of the Octave, and nine is the basis of the Diatonic musical scale.

So, to arrive at this new time value, all you would do is increase the number of hours in the day. You would leave the same values of 60 minutes per hour, and 60 seconds per minute. Obviously, this would change the values for hours and minutes, making them shorter, since you now have to squeeze 27 hours into our regular day of 24. So, if we solve for the number of "grid seconds" in one "grid day," we come up with 97,200 grid seconds total. (27h x 60m x 60s.)

If any reader decides to start dividing 97,200 by fundamental "harmonic numbers" such as 9, interesting things will happen. 97,200 divided by 9 equals 10800, a harmonic of 1080, which is the fundamental Gematrian number for the Moon. (666 is the number for the Sun, 1080 for the Moon and 1746 the "fusion number" between the two. 666 is the number you get if you count 1-36 and add all those numbers together, and 36 is also a key harmonic number in the Diatonic musical scale as we have shown.) 1080, the Moon number, is also precisely half of the Moon's diameter in regular English miles, and that is an important point. The 2160-mile diameter of the Moon is quantitatively identical to the 2,160-year age of the Zodiac. In future chapters we will discuss the fact that 12 of these zodiacal "ages" add up to 25,920, the same number as our Great Solar Cycle and the long-term wobbling cycle of the Earth known as precession. So this is our first "hint" that the ancient measurement of the inch, foot and mile may be directly connected to this universal harmonic system. In chapter 17, Carl Munck will make this point much more visible for us.

If we divide 97,200 by 9 again, we get 1200, another fundamental number as the harmonic of 12. Anyone who wishes to "plae" with this and knows a little about harmonic numbers will quickly be satisfied. You can try a series of divisions by 6, by 5 and by 3 to see the interesting results -- repeating numbers and other "harmonic" values. We can definitely see why Cathie favored the 9-based number 97,200 as the harmonic ideal for the number of "grid seconds" in one Earth day - an absolute number for how much distance in harmonic time that the Earth has traveled. Although this does not correspond with our current measurement of time rooted in the number 8, it appears to be the best way to rectify the Earth's orbit with the harmonic system. We will show as we go along that 97,200 "grid seconds" is a very important number for charting the pulsating frequencies of a CU.

Furthermore, the harmonics of Cathie's number for the Earth grid in seconds, our 97,200, also reduces down to 972. This is another multiple of 36, again showing us its harmonic nature as a musical frequency, fundamentally connected to the Diatonic scale. 972 divided by 36 is 27, the number of hours in a Grid day.

So, we can clearly see that planetary harmonies emerging, expressed in elegant harmonic numbers for their orbits. Richard Hoagland revealed at a MUFON conference in 1997 that the orbit of Mars had been exactly 666 Martian days long in the past, due to the changing gravitational interactions of the planet with its two moons, so this is yet another way for us to see this in effect.

Cathie then ties these "grid seconds" together with the speed of light, and recalculates this value based on harmonic mathematics. When we think of our current value for the speed of light, this value is based on the mathematics and time that we now use. When we change those seconds into harmonic or grid seconds, introducing the transcendental properties of the ratio of 9, (which again is the building block of the Diatonic series as well as the master frequency number of the Maya,) the value of the speed of light will also change. What we never could have expected is the amazing, fundamental harmonic number that the speed of light changes into!

Cathie's primary harmonic equation for the Unified Field Theory is as follows:

Einstein             E = MC2

Cathie              M = C + 1 / sq rt C

Therefore         E = (C + 1 / sq rt C) C2

                                    From Chapter 9 The Bathie grid at http://ascension2000.com/Shift-of-the-Ages/shift09.htm

IN 3D, the geometry of this perfect scalar wave, between magnetism and gravity looks like this:

     CHAPTER 13: THE MATHEMATICAL PHYSICS OF THE SPIRAL

               From Chapter 13 at http://ascension2000.com/Shift-of-the-Ages/shift13.htm

Carl Munck was studying the Gematrian "frequency numbers," and started to notice that there was a definite mathematical redundancy to them. The redundancy came when he started calculating the tangents of each number, and found out that they were all the same! If we remember from trigonometry class in high school, the tangent function is used to measure the intersection between a straight line and the very edge of a circle. This also could obviously be the intersection of a straight line and a curve as well, thus mapping - you guessed it - a spiral. We now go directly into a reprint from Mason et al.'s Gematria page, which explains this point, and eventually tells us how these numbers harmonically tie into the Speed of Light, measured in miles per second. Here is Mason et al. to explain.

Carl figured a certain logic was demanded by these [Gematrian frequency] numbers, so he arranged them into two separate scales, organizing them by their tangents, and marking the numbers that came from the ancient systems with asterisks (*), and filling in the "blanks," with appropriate numbers, something like this:  

__________________________________________________________________

+ 3.077683537     72*          252*        432*          612          792

- 3.077683537          108*           288*          468           648*          828

__________________________________________________________________

___________________________________________________________________

+ 0.726542528     36*          216*          396*        576*          756*

- 0.726542528         144*           324          504           684          864*

___________________________________________________________________

In the newsletter, Carl had a longer list of these numbers in vertical columns.  He also drew in sine waves connecting the numbers, which seemed to be suggested by their logic.  He noted the consistent differences between the various numbers in the top two rows of 36 and 144, such as 108 - 72 = 36 and  252 - 108 = 144.  The differences between the bottom rows are 108 and 72, such as  144 - 36 = 108; and 216 - 144 = 72.  

The suggestion of sine waves, Carl said, is very, very obvious.  Did the ancients know about sine waves?  Did they have oscilloscopes?  Were they suggesting a certain frequency?    

 [Part Three:] A Frequency of Light

Carl was shocked when he multiplied the two Gematrian tangents:

 3.077683537 x 0.726542528 = 2.236067977  

He knew that 2.236067977 is the square root of five!!!

That's the pyramid codex talking!", Carl says. He asks, "Why does the square root of five answer the sine waves of the Sacred Numbers? What was the reasoning behind it? [The reasoning was that] the square root of five is itself a Tangent; the Tangent of 186234.09485, which is the speed of light in air!!!  

Carl points out that the speed of light in a vacuum is 186282.5894 miles per second, but when light travels through air, it is slowed down to 186234.09485 miles per second.  Enter this speed-of-light-in-air number into your calculator, and then press the tangent key, to see that it is very close to the number arrived at by multiplying the two Gematrian tangents

[Here we remind ourselves that the tangent is a mathematical function that can be used to map out a spiral. The Speed of Light has a tangent of the square root of five, and this in turn has a tangent that harmonically relates to ALL frequency numbers making up the light / sound / geometric structure of the Octave of dimensions. You simply multiply their two commonly shared tangents together to get this number.]

Carl concludes -

And there we have it, the reasoning behind the Sacred Numbers of Gematria, the same ones preserved in eastern metrology and western calendrical computing; square roots and tangents - all keyed to the terrestrial speed of light - and delivered through the pyramid codex in nearly the exact methodology they used in keying the earth's equatorial circumference to the cube root of double-pi when they built the Great Pyramid at Giza!.

Munck's work quite well explains how the Great Pyramid was built to unify the Earth's circumference at the equator with the "constant" of the cube root of double pi, and it is also explained on Mason et al.'s Gematria page, from which this was excerpted.

No communications across ancient oceans?  No prehistoric writing that makes any sense? Ignorant stone age progenitors?  I'm afraid I'm not buying anymore, not when I can so easily find this kind of mathematical evidence to the contrary.  

Someone back there had it all; maps of enviable accuracy, a complete knowledge of every inch of our planet, a thorough understanding of mathematics and, yes, even calculators and computers we take for granted today - because without such tools, they could never have put it all together.  Why do I say that?  Because the U.S. Geological Survey advises me that they have the only computer in the United States which is programmed to calculate accurate distances between widely separated points anywhere on the planet - which means - that before the ancients could have marked out the pyramid grid system, they required a computer of the same caliber!

We now have solid mathematical proof from the Enterprise Mission that connects the angles of one of the main Platonic geometries (and almost certainly the others as well) to the harmonic number series. Furthermore, the singularly important "19.5" number, representing the most significant portion of the circumscribed tetrahedron, is the precise harmonic of the number 36, which is by far one of the most harmonic numbers of all. In the triangle-shaped "tetracys" from Pythagoras, there are 36 rows of dots starting with one dot at the top and ending with 36 dots at the bottom. Together, this forms a triangle, and it also represents a simple system of harmonic counting. When we summarize all the dots in the triangle together, we come to that same cornerstone 'solar' number, 666.

http://ascension2000.com/Shift-of-the-Ages/shift14.htm

Therefore, as we look at harmonic numbers showing up in the Solar System in Part Three, we have more reason than ever to see that they can be directly connected with Platonic geometries. Even the speed of light itself appears to describe a harmonic spiral that Cathie equated with 144 in his harmonic time system based on a proportion of nine. But before we enter into our final discussion regarding time cycles, we will finish out our look at the history of this knowledge. By examining the trickle-down effect of Atlantean knowledge into past and present "secret societies," we can indeed trace how it was that literally all of the knowledge that we have been discussing was carefully preserved.

These feats of sacred engineering obviously would not be squandered, if they could be used for positive and spiritual effects. It is for this reason that the question of the French cathedrals such as Chartres is especially interesting. France was the home of the Mergovinian kings, a group that some authors claim to be the direct descendants of the bloodline of Jesus Christ. Sir William Spencer, who tackled the question in Bloodline of the Holy Grail from his own access to the records of the Knight Templars, recently covered this enigmatic story. The famous book that most people are aware of concerning this subject is called Holy Blood, Holy Grail. From studying this material, it is clear that the Templars were another offshoot of the original Atlantean priesthoods and their secret knowledge, which was preserved down through the ages. What we actually see is that the cathedrals themselves might have been a function of very "advanced" technology indeed.

There are many ways to see how this would have been possible. The stained glass windows in the cathedrals visually expressed the sacred ratios of phi and square root of two, as well as other forms of crystallized music, or sacred geometry. Lawlor's book and many others make this point very clear, and we have an image of this on the next page -- in this case, from the main stained glass window in the cathedral of Chartres, with added lines drawn in to indicate how it is connected to "sacred geometry."

The music that was played within the cathedrals was Gregorian Chant, which is very tonal and pure. So, right away you are visually seeing a mandala to organize your visual centers into the sacred proportions, and hearing the sacred intervals in your ears as sound. Then, the actual structure of the cathedrals was sized in direct proportion to the measurements of the Great Pyramid of Giza! This also might have helped to preserve the harmonic properties of the pyramid's structure, as well as paying homage to "a complete set of records of sacred mathematics encased in stone."

Finally, the domed ceilings of the cathedrals directed the natural spirals of energy back downwards and into the gathering. In The Law of One, Book Three, Ra discusses how there are many different examples of this type of energy harnessing being done, including the use of the teepee and the pyramids. Ra told Elkins et al. that these constructions will dramatically speed up an entity's spiritual growth process as it uses them, and that it is therefore important to exercise extreme caution when experimenting with such structures. The reason for caution is that the more personal issues one needs to "burn off" to further their spiritual growth process, the harder it would be for them to work in such a structure. The heightened energy that would come to them would make their "blockages" dissolve much quicker. In the long run, this is for the best, but in the short term it is very stressful -- and this is exactly what the Solar Cycle that we will be discussing is doing to all of us right now. Wilcock's readings along with most others of similar quality will repeatedly address this point.

Interestingly enough, the harmonic numbers that we have been studying are worked into its construction as well. Spenser tells us that there are 72 geometric figures in the diagram altogether. 72 would obviously be half of 144, which we have now seen over and over again to be fundamentally related to both sound and light and the Great Solar Cycle - remember that there are 144,000 days in each baktun. The spiral in the diagram has nine sections, and this is also a fundamental number, the "building block" of the entire Gematrian system of frequencies.

So, if we look back to the symbol on the dollar bill, we can see that it is comprised of a truncated pyramid. Interestingly enough, if we count the blocks on the pyramid, we will discover that there are 72 of them altogether - again, the "cornerstone" frequency number. The All-Seeing Eye and its positioning in the Great Seal refers to the symbolism inherent in the Great Pyramid's construction, which we will read about in Chapter 20 when we discuss Peter Lemesurier's epic work, The Great Pyramid Decoded.

According to this number series, the number "six" indicates preparation or incompleteness. The message of the Pyramid's inner passageways has entirely to do with humanity's motion through incompleteness towards spiritual perfection, completeness or Ascension. This is symbolically accomplished when the Pyramid is turned into a five-sided, instead of a six-sided object. This is done quite simply, as the Pyramid as it now stands has a flat top, which makes it a six-sided object. When the capstone is put back in place, it becomes a five-sided object, and five indicates perfection and initiation.

So, what we have here is a symbolic glyph for the instreaming fourth-dimensional energy used as the "capstone" for a Pyramid with 72 blocks! It is actually a quite ingenuous symbol when you really think about all the information that it contains.

Clearly, the sum total of knowledge that could be achieved from a continent such as Atlantis is indeed vast. We have seen evidence that much of this knowledge has been passed down age after age. The work of de Santillana and von Dechend, as we will see in Part Three, shows us that in almost every culture in the world, a "flood myth" exists which preserves all of the crucial "frequency numbers" responsible for the Earth's wobble, known as precession -- a number that is of fundamental importance to us. The standard "precessional number" of 25,920 years is also a Gematrian number, an expression of the same frequencies we have been discussing as the speed of sound vibrations per second in our atmosphere. (It reduces to 2592, which is a higher harmonic of the same octave-based number set.)

But now, let's look at the bottom portion: "Novus Ordo Seclorum." The meaning of this phrase is given to us in Spenser's book through a quote from C. A. L. Totten, a 1^st Lieutenant in the 4^th artillery of the U. S. Army, who communicated his views on the seal to Charles J. Folger, Secretary of the Treasury, on February 10, 1882:

The All-Seeing Eye is one of the oldest hieroglyphics of the Deity. The triangle also is a cabalistic symbol of the most remote antiquity

The descent of the mystic eye and triangle in the form of a capstone to this mysterious monument [the Great Pyramid of Gizeh] of all times and nations, is to us as a people most pregnant with significance. The motto, Novus Ordo Seclorum, is a quotation from the 4^th Eclogue and was borrowed in turn by Virgil from the mystic Sybylline records.

The entire quotation is as follows: 'The last age of Cumaen song now comes. (Novus Ordo Seclorum altered from Magnus Soeclorum ordo), A mighty order of ages is born anew. Both the prophetic Virgin and Saturnian kingdoms now return. Now a new progeny is let down from the lofty heavens. Favor, chaste Lucina, the boy soon to be born in whom the iron age shall come to an end, and the golden one shall arise again in the whole earth'.

This passage is indeed quite revealing. What we learn is that "Novus Ordo Seclorum" does not mean "New World Order" as many conspiracy theorists would claim, but actually "A mighty order of ages is born anew." When we think of a mighty order of ages, we immediately think of the precessional cycle, comprising of the 2,160-year ages of the Zodiac. Then, if we think of this "mighty order of ages" as being "born anew," we could well expect that this would be signified by the ending of the entire cycle, which we are making a very strong argument here as being related to Ascension, or the Shift of the Ages.

But does this statement from the 4th Eclogue and Virgil back up the idea of such a shift? Read carefully.

The last age now comes. A mighty order of ages is born anew Now a new progeny is let down from the lofty heavens.

The boy soon to be born in whom the iron age shall come to an end, and the golden one shall arise again in the whole earth.

CHAPTER 15:  The Great Solar Cycle :

http://ascension2000.com/Shift-of-the-Ages/shift15.htm

First of all, if we look back to the reading, we can see that this Solar Cycle is clearly associated with the passage from one age to another. We know that we are currently in the 2,160-year Age of Pisces, and will move into the Age of Aquarius at a point in time calculated by French scientists as occurring in the year 2011. So right away, we see that there is a possibility that these ages of the Zodiac figure in to our equation. As some of us may or may not know, there are a total of 12 ages, for the twelve signs of the zodiac. And 12 times 2160 is 25,920. Thus, one complete or Great Age of the Zodiac would be 25,920 years.

Someone might wonder why this number was chosen, since it might appear to be arbitrary. Actually, it is not arbitrary at all. This number is actually an observable astrological cycle that the Ancients have known about for thousands of years. It is referred to as the precession of the equinoxes. This means that the position of certain stars that appear to be fixed will actually precede through the sky in a set motion every year. You would measure the position of these "fixed stars" each Equinox, and after 72 years, you could indeed observe that all the stars would have shifted in their positions by one degree of arc in the night sky. Of course, the number 72 is twice that of 36, so right away we can see the harmonic systems at work. We remember that in the last chapter, the designers of the Great Seal of the United States put exactly 72 bricks into the Pyramid. 12 and 2160 are also perfect harmonic numbers, along with the "master number" of 25,920.

In order to visualize the one-degree movement every 72 years of precession, we must look at Polaris, which we normally would consider to be fixed and immovable. This is the "North Star" that we all know and love, because it appears that all other stars in the heavens rotate around it during the course of the night. However, precession will eventually move Polaris out of this position. For example, the star Alpha Draconis, in the nearby constellation Draco, was at one time also in this position. The movement of the earth that accounts for this phenomenon is the precession.

Since the questioner for this reading asked for specific details regarding the passage of these zodiacal ages, we can see a direct connection to the 25,920-year precession of the equinoxes. Cayce's readings attribute it to a solar cycle, although current scientific opinion has it that this precession is caused by a "wobble" in the Earth's axis, caused by an interplay between the Sun's gravity and the Moon's gravity, having a very slow effect on the Earth's orbit. The effect is said to be the product of Earth acting as a gyroscope. Many people know that the Earth is not a perfect sphere, but rather an "oblate spheroid," meaning that it bulges at the Equator. And so, due to the uneven distribution of weight, the Earth experiences a very slow counter-rotation in the opposite direction to its normal counter-clockwise, or west to east rotation.

The same thing can be seen to happen in a spinning top that has broken its regular upright rotation and is about to grind to a halt. Let's say your top represents the Earth, and you start it spinning counterclockwise. You can watch it go along for a good bit of time and everything will be fine, but before too long it will shudder and start a slow opposite-spinning motion as it also continues spinning at its normal speed. This shudder will occur in a clockwise direction, opposite to that which you started your top with. You will see a slow but precise circle traced out as it continues to slow down. So, even as it continues spinning very fast, once it destabilizes, it also traces a circle very slowly in the opposite direction.

We can tell from looking at this that it obviously has to do with a gravitational effect. There is no question that the strongest gravitational factors on the Earth are the Sun and Moon, and thus modern astrophysicists explain that this motion is caused by the interplay of these gravitational forces. But this still doesn't get us much further in terms of understanding why this cycle is 25,920 years. There doesn't seem to be any causative mechanism that is specific enough to explain the precise length of this motion.

Clearly the image of precession is a complicated picture to visualize, and the best way to do it with the Earth would seem to be through the notion of a visible axis. If the Earth were reduced to the size of a basketball, and you could walk up to it as it spins, you could visualize a giant axle going through the Earth in a north-south direction. Let's say that you could touch and move the axle without disturbing the Earth's rotation, similar to a gyroscope. The Earth would be on its 23.5-degree tilt, inclined away from being straight up and down. If you went up to this axle and grabbed it on the top and bottom, you could spin it in a slow, deliberate circle in the opposite direction from its counter-clockwise rotation. It would be similar to stirring a giant pot of food with a spoon, making one complete circle. The time that it would take you to complete this circle would be, in Earth terms, one Precessional Year of 25,920 years.

So, that is our official explanation for how to visualize precession, and how long it is. Now we have a Cayce Reading that seems to be indicating a solar cycle that is coming to the end of its age, not strictly an Earth cycle. If there is indeed a cycle in the Sun that governs the precise length of precession, we have yet to officially discover it. In future chapters, we will present very compelling evidence that a researcher by the name of Maurice Cotterell has done just that, to an amazing degree of accuracy. Cotterell has also tied this Solar Cycle in directly to the enigmatic Mayan Calendar.

But for now, our concern is the Cayce readings themselves. If they are indeed referring to a cycle roughly 25,000 years in length, then there should be some other clues in the readings that point us in this direction. So, we need to discover if the Cayce Readings do in fact refer to any turning points of previous ages, and then see if the numbers jump out at us.

Without getting into tedious detail, and for the purposes of keeping this chapter brief, we can summarize the following information. Anyone can cross validate this data in a variety of means, including the numerous Edgar Cayce books that are available as well as going directly into the readings themselves to find it. We will quickly see the implications of the actual information that the Cayce Readings have given us as we study the events that are listed for these various periods of time. Here are the approximate values in years for the Cayce cosmology of ages:

10,500,000 BCE:         First apelike humans living in caves that separated into families. These formed the bodies for modern humanity. [2665-2] [5748-2]

200,000 BCE:              Entrance of extraterrestrial-like spiritual entities to Earth plane, forming original Atlantis. [364-4] Entities are much rather of the nature of thought-forms that could push out of themselves in the way and manner as the amoeba [364-3] The entities in question are hyper-dimensional or non-physical beings.

100,000 BCE:              Amilius, a spiritual entity present at the time, notices that a crisis is forming. The thought-form entities are becoming separate from their spiritual roots, and may become hardened.  [364-3]

75,000 BCE:                Thought-form entities become hardened or set much in the form of the existent human body of the day.  The hyperdimensional thoughtform presence suddenly begins occupying the human bodies on the Earth, as well as animals. Spiritually conscious humankind is born, and with it comes a forgetting of its original heritage. Amilius begins a massive program to free the hyperdimensional entities by joining them in the physical form to teach them who they really are. This incarnation of Amilius is called Adam, the First Man.  [364-3] [Note: The Cayce Readings do not specify exactly when this "hardening" took place; the Ra Material, on the other hand, gives us the date we have listed.]

50,000 BCE:                First major human technological civilization on Earth collapses from pole shift. Near-total destruction of Lemuria and partial sinking of Atlantis. A worldwide conference had just decided to use a radiation-type device designed to kill predatory animals in very large numbers. After the polar shift itself, the inhabitants discovered that their use of radiation only exacerbated a cycle that was about to complete anyway.

25,000 BCE:                Second major inundation of Atlantis. Civilization falls yet again.

12,500 BCE:                Third major inundation of Atlantis. Great Pyramid is built in part to preserve the records.

0 BCE:                         Amilius / Adam returns to Earth for final physical incarnation as Jesus the Christ. He then completes His obligations in getting humanity to recognize how to escape materiality through the process of Ascension. This sets the pattern for all others to follow.

2001 ACE:                   Magnetic pole shift on Earth, also associated with dawning Second Coming of Christ.

The reader is encouraged to ponder on these matters, and look further to the many books about Cayce and Atlantis for more details regarding these things, such as The Egyptian Heritage, Edgar Cayce on the Origin and Destiny of Man and Mysteries of Atlantis Revisited. For now, the immediate focus should be in seeing that the cycle we are looking for in the Cayce Readings cosmology of ages is indeed divisible into roughly 25,000-year units. Thus, we can aptly demonstrate a fundamental connection between Cayce's "solar cycle, or the Sun's passage through the various spheres of activity" and our approximately 25,000-year figure for precession.

CHAPTER 16:  The Great Sunpot Cycle :

http://ascension2000.com/Shift-of-the-Ages/shift16.htm

The Speed of Light can be shown to be two things:

- One, a precise harmonic of sound vibration frequency 144 in a time system based on 9, using minutes of arc as the indicator for distance, and

- Two, directly related to the shared common tangents of the sound frequency numbers (which appear to have dynamic, structured, wavelike movement) and the square root of five, which forms the building blocks for the Platonic Solids and / or the fundamental phi ratio.

Furthermore, when we include Hoagland's new information about the angle relationships of the circumscribed tetrahedron being precisely harmonic or non-harmonic whole numbers when rendered in a circle with 666 degrees, we can see that the sound, light and geometry are precisely and undeniably mathematically interconnected. This point cannot be argued when the proof is so easily seen, including the simple Platonic geometries that emerged visually in Dr. Jenny's experiments with vibrating liquids. Therefore, we can infer that the speed of light has similar properties to these other harmonics, all of which are quite naturally capable of changing -- expanding and contracting in their frequency. The speed of light is simply another measurement of frequency, directly correlated with the relative density or strength of the zero-point or aetheric energy field in any given area. So when we have a highly harmonic stress point such as 19.47 degrees, at the intersection of the tip of a tetrahedron to the surrounding sphere, we shouldn't be surprised to see that its "666 harmonic" value is 36, one of the most fundamental building blocks of the "Gematrian" diatonic musical scale. This essentially proves that the "diatonic" or "Gematrian" numbers have an internal, structured, geometric movement, and are not at all simply static numerical values as we may have once thought.

So again, when we properly understand the speed of light, everything changes. Light is simply the fastest possible movement through a sea of "aether" or what Ra calls intelligent energy, at a certain density. The apparent movement of Light itself can increase as the speed of movement or vibration in the aether increases. Furthermore, new research in the "Grand Unification Theory" by John Nordberg reveals that the properties of time will work much better when they are reassigned as the speed of light itself, instead of our current use of the Sun's apparent movement in the sky to measure time. (We will have a lot more to say about this in Convergence: The Physics of Ascension.) And if we remember from the chapter on Bruce Cathie, the relative movement of one second of our time on the clock is 1440 times faster than the movement of the Sun in the sky. So again, all of this leads us to believe that time as we know it, either measured by the speed of Light or even the second itself, are all functions of simple vibration in movement, in this case harmonics of the number 144. 

Among other things, the article describes that the contacts Smith was in touch with were accurate enough that he was able to glean knowledge about how the UFOs were powered as well as how to engineer a device that could measure changes in the Global Grid frequency strength. But what interests us the most for this chapter is what he said about time and the speed of light, fairly early in the document. We have added italics and underlines for emphasis:

There is a great deal that we have that we have not yet been able to decipher. I think the trouble is with us, not with the info. Much of the info, which we obtained from these people, cast some serous doubts on the validity of some of the basic concepts of our science.

For one thing they told us that the velocity of light was not a constant. As a matter of fact they seemed to be rather pointed in their statements that light doesnt travel, it is.

[Note: This is almost exactly the same sentence written by Dr. Elkins at the beginning of The Ra Material: "[The ETs tell us that] light does not move, light is." He equates this directly with the physics of Dewey Larson, which state that time is motion and light is the primary motion that creates time.]

And we told them that from our point of view, [light] appeared to travel with a certain definite velocity of 186,000 miles per second. They said thats the way it looks to you because you are looking at it from a region having certain conditions, certain influences, but they said if you were to go away from this region you would find that a different set of circumstances prevailed.

Another thing they told us cast a great deal of doubt on our ideas of time. They told us that time wasnt at all what we thought it was, namely what might be marked off with the ticking of a clock, that time was, in fact, a field function, the result of there being a universe. That is, something which was derived from the basic primordial concepts which brought this universe into being, and that it differed as you went from one part of the universe to the other. Also it could be altered, sometimes by natural means, sometimes by intelligently-controlled means in various parts of the universe. So that in any given interval, which incidentally is what our clocks mark off, our intervals, not chunks of time, in these intervals we can have all sorts of lengths of time.

In other words if one of you checks your clock with me and finds that they are synchronized and I climb into a flying saucer and take a little trip out well clear of this earth and I watch my clock and, say, come back in three hours time, and we again compare clocks, maybe your clock says Ive been gone an hour, my clock says Ive been gone three hours. Both clocks are strictly correct. Youve experienced an hour in the time that hand went around once; in that same interval I experienced three hoursand they were three real hours, not an illusion. The theory of relativity talks about this dilation.

But this leads to a paradox and I think that anyone who is at all mathematically inclined and has taken the trouble to look at the relativistic time paradox is probably disturbed by it. According to the theory of relativity, if I climb into a spacecraft and start out from the earth, here, at a velocity very nearly the velocity of light and I go out to, say, Alpha Proxima, and then I turn around and come back, people on the earth say Ive been gone something like 10 years. According to my clock Ive only been gone a year. Now that is a result, apparently, of the time dilation in the theory of relativity in that the spacecraft was moving, relative to the earth at a velocity very nearly equal to the velocity of light. The paradox arises when you consider that relative to the spacecraft, the earth was traveling away at exactly the same velocity, so therefore, to the people on the spacecraft who are relatively stationary, 10 years should have passed and by the time the earth came back to them it should only have been away a year. So you can see right away the very premise on which the theory of relativity is predicated, namely, that if B is relative to A, then A must be relative to B, leads you to an impossible paradox.

This paradox is resolved completely if you recognize the variable nature of time. As you move around from one part of the universe to the other, you encounter all sorts of values of time in certain given intervals. Now I find that this idea of the concept of the variable nature of time to be almost incomprehensible to most people because every time we do something we check with the clock. We become slaves to the clock to the extent that we believe that the intervals cut out by the clock are time itself. So we find it very difficult to readjust.

CHAPTER 17:  The Amazing Synchronicity

http://ascension2000.com/Shift-of-the-Ages/shift17.htm

If we look at the Great Cycle strictly from the perspective of the sunspots, we might then assume that the interest in 2000 could stem from the fact that the smallest "sunspot cycle" is known to operate in 11-year increments. We know that this 11-year cycle has an effect, disrupting radio communications and increasing solar particle emissions. Current calculations place the next sunspot peak date as occurring in May of 2000. That fact alone suggests strongly that there is a connection, as most people are well aware of the May 5, 2000 planetary lineup that will occur. This was made public in the opening episodes of the TV show "Millennium," as well as Richard Noone's 5 / 5 / 2000: Ice, The Ultimate Disaster. Furthermore, in a 1999 Email conversation between Wilcock and John Major Jenkins, the author of Maya Cosmogenesis 2012, Jenkins revealed the following:

In Maya Cosmogenesis 2012, my position is that the Maya intended their 13.0.0.0.0 date (December 21, 2012) to mark the alignment of the December solstice sun with the Milky Way. This occurs every 13,000 years. The Egyptian Zep Tepi material refers to the time this last happened. At that time, the December solstice sun was lining up with the thin and diffuse part of the Milky Way that runs through Gemini. That is the direction out of the Galaxy. Now, around 2012, the December solstice sun is lining up with the opposite part of the Milky Way - the part that runs through Sagittarius - where the Galactic Center happens to be. Vedic astronomy summarized by Sri Yukteswar in The Holy Science, though phrased in a rather obscure way, suggests the Vedic Yuga doctrine recognized the solstice-galaxy alignment as *the* transformative event in the cycles of human consciousness unfolding

I think the entire transformation zone will be a process-oriented thing. You're looking into the details and identifying likely trigger points. The May 2000 date you mention is also significant because of the Sun-Pleiades-Zenith alignment over Chichen Itza's latitude. This latitude is 19.5 degrees, which is significant via Earth Grid Theory and the Platonic solids. Geographically, Yucatan is the tail of the serpent; it is where the Sun-Pleiades vibration descends and incarnates. On the exact opposite side of the globe, at the same latitude, we find the Mouth of the Ganges - the mouth or birth canal of Ganga, the Vedic Milky Way goddess. I believe this accentuates a 13,000-year astronomical process, mapped onto the Earth. The tail-mouth polarity is found in the reconciliation of the Galactic and Zenith cosmologies as proposed in my book, a reconciliation which culminates (cosmologically speaking) with the Galactic alignment of the early 21st Century.

We can see right away how neatly this ties in with the Biblical notions of the Second Coming of Christ ushering in 1000 years of peace. It now appears that the church fathers may well have adjusted Jesus' birth to coincide with a date that they expected to be one of great power - the harmonic year 5760 in the Hebrew calendar. 576, of course, is another Gematrian number.

CHATELAIN'S MAYAN CALENDAR

In his book, which actually covers many different subjects, Chatelain discusses the bitter war between the French and the Germans considering the seeming ambiguity of the Mayan Calendar's start date. This occurred when the calendar was first discovered, as there were actually two copies found, and they did not, in fact, precisely agree with each other. It took a great deal of work to finally arrive at the proper starting date. Since so much effort was involved in resolving these conflicting areas of data, Chatelain believed that our now-universal adaptation of the winning date set was not necessarily grounded. Chatelain created his own start date to perfectly coincide with a massive astrological event that appeared to lend great credibility to his date system -- at the time he was unaware of the larger-scale solar cycles involved.

And so, regardless of how it is viewed, the Mayan Calendar is a multifaceted astrological tool, in fact quite ingenuous and very useful once understood. The Calendar is not simply one cycle; it is measured through smaller cycles, which must also be considered. The smallest of these is the katun, which is approximately 20 years in length, at 7,200 days. One Mayan Calendar cycle of approximately 5,200 years consists of 260 of these katuns. This number 260 proves to be the most sacred number in all of Mayan science and mysticism. We will explore the new information that suggests why it was so important as we progress. This number was so crucial and sacred to their understanding of the universe that they actually assigned it a name, calling it the tzolkin.

In order to break the Calendar up into more manageable pieces, they also grouped the 20-year katuns together into groups of 20. Each of these groups of 20 katuns is about 400 years long, or 144,000 days, and the name they created for this was the baktun. (And of course, we are seeing the same Cathie harmonic for the Speed of Light emerge again, this time in a cycle that is measuring time.) Since there are a total of 260 katuns in one Calendar Cycle, we need 13 groups of 20 in order to have everything add up. So, for each Calendar Cycle, there are 13 baktuns altogether.

As we just stated, the tzolkin number 260 is the ultimate sacred number to the Mayans; it is the root of their entire mathematical system and the number of days in their Sacred Year. Their calendar consisted always of two date cycles -- the conventional solar year of 365 days along with the 260-day Sacred Year at the same time. Every calendar date was a combination of these two variables, and obviously the points where they intersect will be constantly changing. All of this is very well covered in Chatelain and Gilbert's Mayan Prophecies.

As Chatelain just indicated, this huge cycle came off of Sumerian clay tablets, which were found in the burned-down remains of the Library of King Assurbanipal in Nineveh. This library was discovered in the ruins of the Assyrian civilization, located in modern-day Iraq in the nineteenth century through the work of Paul Emile Botta and Henry Layard. Botta himself discovered the Assyrian remains, including many marvelous pieces of architecture such as the castle of King Sargon II, which was a virtual treasure trove of statues and artifacts. Layard later excavated the site of Kuyunjik, in search of the capital of Assyria, known as Nineveh. And indeed, his intuition hit pay dirt, as among many other things he uncovered the Library of King Assurbanipal, an Assyrian king who was in power from 669 to 626 BC. Within this library were thousands of clay tablets etched with cuneiform writings. These writings were, as Chatelain says, a collection of all the science and history known at that time, assembled from all previous civilizations.

Chatelain goes on to show how these discoveries led to the unearthing of the story of the epic saga of Gilgamesh, which has been confirmed by the scholars to be the original source document for the story of Noah and the Flood. Indeed, the modern Biblical account is shown to be a simplified version of the Saga of Gilgamesh, with a change in the names and a great deal of omissions. Zechariah Sitchin, a controversial Sumerologist and proponent of the Ancient Astronaut theory, discusses this as well.

The staggering figures on these tablets were originally ignored as the ramblings of weak-minded Sumerians obsessed with numbers. Nevertheless, Chatelain saw that there could be a lot more to it -- his attention was drawn to the number 195,955,200,000, and he explains in his book how this is the expression of 70 multiplied seven times by 60. [For simplicity's sake, we will shorten this number to 19.5 x 10¹⁰.] He then goes on to indicate that as the Sumerians counted by 60, the number apparently came directly from their civilization, and modern Sumerologists agree that these tablets originated there. Since the Sumerians invented the use of days, hours and seconds, using their base-60 counting system, Chatelain inferred that this number might have been a measurement of a certain discrete quantity of seconds.

From here on out, Chatelains discoveries pertaining to this cycle are absolutely revolutionary. With this one number alone, you can calculate the exact time it takes any planet, comet or celestial object in the Solar System to make one full cycle around the Sun, down to the second. And that is not all. This mysterious number also encompasses an exact multiple of the precession. As we now know, it would also encompass the sunspot cycles as well, since they are a direct harmonic of the precession through the Great Solar Cycle.

The precision of the Nineveh constant is summarized in one all-important quote from Chatelain. 

Every period of revolution or conjunction of all the solar system bodies calculated by the Constant of Nineveh corresponded exactly down to several decimal points with the values given in the modern tables of United States astronomers I have not been able to find even a single period of revolution or conjunction of a solar system planet or satellite that would not be an exact fraction down to the fourth decimal point of the Great Constant of the Solar System.

Yes, it sounds impossible, but we must remember that astrophysics was Chatelains job, and he had worked on calculating the orbits for such things as the Apollo missions; thus, he was not scared by these numbers, and could work with them rather easily. And furthermore we can prove here that this cycle was derived at least 6,000 years ago, and was probably quite archaic by that time.

In other words, the Nineveh Constant is a fantastic calculator, as it is designed to fit the rotation of every planet into a certain round number of cycles; not in years as in the Mayan Calendar, but in seconds.  So, with this number many significant discoveries emerge. To begin with, we must not fail to see the harmonics that are at work here. The numbers in the Octave have a fundamental geometry and vibration, as we have already seen. Their larger-order functions have definite internal waveforms, structures and movement. And now, what we are seeing is that the master cycle for the entire Solar System is built up from nothing more than 70 multiplied seven times by 60 -- in other words, the harmonic vibrations of the numbers six and seven, at the top of the Octave. What this shows us is that each planetary orbit could also be thought of as a harmonic wavelength of precise length. This had already become visible in the last chapter, when we saw that many harmonic cycles were emerging amongst the planetary and solar time patterns. Now, we can see that the entire Solar System is fundamentally interconnected through the same system. In other words, the same harmonic stresses in space-time that amassed the continents with the Global Grid have similar effects on astronomical and astrological cycles.

And so, for an ancient or extraterrestrial culture that possessed knowledge of the true properties of vibration, we can demonstrate that the Nineveh Constant itself would be the only large number one would ever need to keep on hand. Calculating the precise length of any planetary orbit or cycle would then be a simple question of dividing the Constant by one of a set of much smaller numbers that you could easily memorize. So, lets say that you wanted to calculate the precession, or Great Cycle, in seconds. It just so happens that if you divide the Nineveh Constant by 240, that is exactly what you will get. And that number 240 is a precise harmonic of 24, the number of hours in a day. If you want Halleys Comet, divide the number by 81,000, which is the harmonic of nine times nine.

Chatelain shows us that the Nineveh Cycle existed on both sides of the Atlantic; the Mayans had it as well, only in a different harmonic base that preserved their love for the vibrations of the number 13. The Maya arrived at the Great Constant of the Solar System in two ways. They expressed it as a multiple of 26 Jupiter-Saturn conjunctions, [actually 180,392 of them,] as well as a multiple of their Mayan Calendar cycle of 260 Jupiter-Saturn conjunctions [actually 78,170 of them.] Again, we see the Maya's insistence on the use of 26 and 260 for counting.

The other harmonic number that seems to pop out at us as possibly being a part of Divine Order is 25, expressed in the approximate number of Earth years in the precession as 25,000. This is the "true harmonic" count number for the Great Breath of the Sun that was given in the Ra / Law of One series. It also has extreme Pyramidological importance, as we will indicate in a second. Chatelains discoveries also encompass an even further extenuation of the harmonic importance of 25,000 in the Great Cycle of the Solar System. If we remove a mere seven days from the common value for Plutos orbit around the Sun of 90,727 days, which is perfectly possible given the inaccuracy of our measuring capabilities, we get 90,720 days. And again, this is a precise harmonic or "Gematrian" number. When we divide this round number into the Nineveh Constant of 19.5 x 10¹⁰ or 2,268 million days, we get exactly 25,000.

Yes, it is true!  The Great Solar Cycle gravitates towards an harmonic ideal of 25,000 Earth years in length, and the Nineveh Cycle is exactly 25,000 of Plutos years. The cycles appear identical, counted in the same harmonic number of 25, for two different planets. And of course, 25 is a direct "vibration" of the number 5.

We will cover the topic of the Great Pyramid in greater detail in the twentieth chapter, but for right now we will discuss 25 based on the numerological code that was discovered inside its measurements. The number 25 in the Pyramid is indicated as the square of five. The numerology for the number 5 is "initiation into the mysteries of the universe." By squaring the number, we then have a tremendous increase on the basic meaning of initiation. Lemesurier, author of Great Pyramid Decoded, refers to this number as an indication of the Messiah, or The Great Initiate. Indeed, 25 is the fundamental number of all Ascended people. The Cayce Readings explain that the Second Coming of Christ is the dawning of the Christ Light within all of humanity. Thus, we have a possible numerological clue that tells us that this Grand Solar System Cycle itself produces initiation, or what we are referring to as higher-dimensional advancement. Other interesting possibilities emerge as well when we consider that the harmonic numbers have actual spiritual meanings, etched into the Mind of God itself. The entire Solar System may be a very carefully-encoded message of extraordinary spiritual depth, if we allow ourselves to not restrict the powers of the Mind of God in this harmonic system.

The more we assemble these pieces together, the more the entire function of the Solar System, and thereby the entire cosmos, appears to be Divine Harmony. The very first multi-planetary system that we have discovered, orbiting pulsar B1257+12, has been discovered to be a precise duplicate of the inner workings of our own Solar System, both in terms of planetary size and planetary spacing. The following excerpt is from an article by John Gribbin in the London Guardian, at http://crash.ihug.co.nz/~hardy/gconsyn.html that says just this, with our own italics added:          

LONDON, from THE GUARDIAN -- The discovery of three planets orbiting a pulsar known as PSR B1257+21 has revealed a system with properties that almost exactly match those of the Inner Solar System, made up of Mercury, Venus and Earth. The similarities are so striking that it seems there may be a law of nature which ensures that planets always form in certain orbits and always have certain sizes; and it lends credence to the significance of a mathematical relationship that relates the orbits of the planets in our Solar System, which many astronomers have dismissed as mere numerology.

The outer planets may well exist around B1257+12 in addition, but we do not yet have the instrumentation to detect them. It is therefore extremely likely that the B1257+12 system is equally harmonic and precise in its orbital function as our own, operating under the exact same laws of vibration as the Constant of Nineveh. So in short, the sacred numbers involved in this series of multi-dimensional cycles could well be universal. After all, this is the very first planetary system of its nature that we have discovered, among many other potential areas that we could have studied, and it just so happens to have near-identical properties to our own. Even the mainstream article above admitted that a previously unknown "law of nature" may be at work. And in the next chapter we will essentially prove this, by showing that this same precise system continues to operate when we expand our focus out to the Galaxy itself.

PERFECT YEARS

So as we have theoretically stated, before humanity caused such damage by destroying themselves on Maldek, Earth had a "perfect" year. This possibly true Earth year could explain why we would measure 360 degrees in a circle; it would be a harmonic of the 360 days in the Earths circle around the Sun, just as it appears that Mars may have used 666 degrees for their own circles, giving us the harmonic angle relationships in the Platonic Solids. Chatelain explains that there are many ancient cultures that count as though there were still only 360 days, and begrudgingly add five days in at the end to make everything fit. In order to look into this a little further, let us say that 9,450,000 is the approximate number of days for the current Precessional Year that we now have. [This would be a result of taking the Nineveh constant of 2,268 million days and dividing it by 240, just as the Atlanteans / Sumerians had done.]  We then plug in the 'original' sacred length of the Earth year as 360 days instead of 365.2422. If our "perfect Precession cycle" for Earth would be exactly 25,000 years of exactly 360 days in length, how many days total would be in that perfect cycle?  In order to get this number, we would simply multiply 360 by 25,000.

From this calculation, we can quite clearly show that the number of perfect day